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SUMMARY:2nd Annual United Natives MMIR Summit
DESCRIPTION:We invite you to participate in the 2nd Annual United Natives MMIR Summit\, a vital event dedicated to sharing essential data\, resources\, and support for Native communities. \nLocation\nUNLV Student Union Hall\n4505 South Maryland Parkway\, Las Vegas\, NV 89154 \nWelcome to the 2nd Annual United Natives MMIR Summit! Join us for a day of informative discussions\, interactive workshops\, and valuable networking opportunities. This in-person gathering will take place at the UNLV Student Union Hall\, offering an energetic atmosphere for all participants. Engage with fellow attendees\, gain insights from inspiring speakers\, and play an active role in critical conversations regarding Missing and Murdered Indigenous Relatives. Seize this chance to connect with a community committed to advocacy and justice. We eagerly anticipate your presence! \nFrequently Asked Questions\nIs food included?\nYes\, we will provide food\, beverages\, coffee\, and snacks at scheduled intervals throughout the event. \nCan I purchase a booth to showcase our business or organization?\nYes\, you can secure an informational and resource booth for a fee of $100.
URL:https://nativeamericanstoday.com/event/2nd-annual-united-natives-mmir-summit/
LOCATION:UNLV Student Union Hall\, 4505 South Maryland Parkway\, Las Vegas\, NV\, 89154\, United States
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ORGANIZER;CN="United Natives":MAILTO:united.nativesservices@gmail.com
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SUMMARY:Defiance in Native Arts & Representation
DESCRIPTION:Participate in an essential dialogue about the resilience\, creativity\, and lasting influence of Native art. \nDate and Time\nThursday\, October 16\, 6 – 7:30 PM MDT \nLocation\nMuseum of Boulder at Tebo Center\n2205 Broadway Boulder\, CO 80302 \nHow has art acted as a significant form of resistance for Native communities over the last 500 years? This thought-provoking panel will unite contemporary Native artists and art scholars to explore how their creations (along with those of other Indigenous artists) address historical injustices\, reclaim Indigenous narratives\, and foster a future rooted in self-representation. Join us for an enlightening discussion on the resilience\, innovation\, and lasting significance of Native arts. \nPanelists\nTom Myer\nTom Myer is a Native artist who relocated to Boulder in 2019. He identifies as Haudenosaunee (historically referred to as the Iroquois) on his father’s side and Ngbe-Bugle from Meso-America on his mother’s side. A self-taught artist\, he specializes in acrylics\, pastels\, pencils\, and digital media. \nDallin Maybee\nDallin Maybee\, a Seneca and enrolled Northern Arapaho\, was raised on the Cattaraugus territory of the Seneca Nation of Indians in Western New York. He is a skilled artist\, public speaker\, and performer\, currently serving as the Assistant Director of Development at the Native American Rights Fund (NARF). Dallin holds a B.A. in Philosophy and a Juris Doctorate from the Sandra Day O’Connor College of Law\, focusing on Federal Indian Law. His artwork is featured in numerous private collections and museums nationwide\, including the Smithsonian’s National Museum of the American Indian\, the Autry Museum\, the Heard Museum\, and the Portland Art Museum. Dallin has received multiple accolades\, including Best of Show at the Santa Fe Indian Market (2007) and the Cherokee Art Market (2020). \nNico Strange Owl\nNico Strange Owl is a member of the Northern Cheyenne Tribe of Montana and has collaborated with Indigenous art and artists for over forty years. She currently owns Eagle Plumes\, a historic trading post located near Longs Peak in Allenspark\, Colorado. Her extensive experience includes roles as a beadworker\, appraiser\, and consultant for Native art\, as well as working with museums and operating galleries. Nico is also a descendant of survivors of the Sand Creek Massacre\, deeply connecting her to Colorado. \n \nFeatured Image\nTom Myer notes on the featured image: “I appreciate this image\, despite it being created by a non-Indigenous artist. It can serve as a discussion starter. Titled ‘The Murder of Whites Assistant\,’ this piece from the 1880s allegedly depicts Mr. White’s assistant (Mr. White was a cartographer) being attacked by arrows from Native peoples outside the Roanoke colony. Although the representation is notably one-sided\, the dramatic composition illustrates a moment of defiance against encroaching colonization.” This print is from Cassell’s History of the United States\, by Edmund Ollier\, Volume I\, published by Cassell Petter and Galpin\, London\, circa 1880.
URL:https://nativeamericanstoday.com/event/defiance-in-native-arts-representation/
LOCATION:Museum of Boulder at Tebo Center\, 2205 Broadway\, Boulder\, CO\, 80302\, United States
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